‘A Journey Through Two Centuries of Death’ by Barrie Purnell

Stone pillars mark the entrance to a graveyard of Victorian times
An immense copper beech stands as this burial ground’s concierge,
Unmoved by the heavy limbed mourners passing in their sad cortege
Or the furtive lovers seeking solace under the cherries and the limes.

Golden needles clothe the path below a cathedral arch of pines
A hundred years of history hidden by their time-chiseled bark,
Against their majesty mere humans struggle to make their mark
We proceed quietly, as penitent pilgrims would approach a shrine.

Continue Reading

‘Passing On’ by Andrew Bell

Andrew has written this poem in response to our last prompt of ‘Rite’. Andrew says: ‘I thought it would be interesting to take a look at ‘death’, our very last rite of passage. For some, there is no death as such, only an entrance into a fuller life, whereas for others, it’s prospect can provoke anxiety or dread, compounded by a fear of the unknown or a fear of loss. In this poem, I have tried to strike a more positive note by considering if there is an antidote to this very common fear. And it’s not easy!’

Passing on

If I could reach into the silence
to a still point

where memory and desire
are no longer stirring

Continue reading

“Röslein auf der Heide” – by David R Graham

For a mere second the soldier closed his eyes and succumbed to sleep’s black embrace. It was long enough for him to shuffle off the rain-slicked duckboards. Off that narrow avenue between places of fragile safety.

He landed on his back on the thick, bomb churned mud.

Staring wide-eyed at the gray, rain-filled sky. He screamed a muffled cry of commingled anger and terror at his fatal mistake.

Baring his teeth, he compounded his mistake by struggling to stand on his own two feet.

It was an instinctive act of self-preservation. It allowed the mud to secure its grip.

He knew. Felt himself sink to his knees.

He looked this way and that across a world of mud. Searching for security: for solidity: for firmness beneath his feet.  

His Mauser: his ever-present life saver. Lay out of reach. It could not save him now.

The duckboards too were out of reach. He knew. He stretched out his hands nonetheless: tried to move forward.

The mud gripped his thighs.

Hollow-eyed he looked down. He was being devoured.

The crater might be twenty, thirty feet deep. It need only be six to consume him.

He cried out to comrades shuffling by like grey ghosts.

He knew they knew they were powerless to help. To attempt to rescue him from their precarious footing would be suicidal.

The mud gripped his waist.

He bellowed out his anger and his terror.

They went unheeded. Commonplace in this landscape of mud and rain they meant nothing.

The mud gripped his chest.

He ceased his struggle for his life. Struggle hastened its end.

He fell silent.

Death by a bullet or a bomb would have been a far better end. Swifter. More fitting.

Had he been able to reach his rifle. He would have taken that way out.

The mud nudged his chin.

Soon his body would join those of many of his comrades. Become part of the desolated landscape.

Who would miss or mourn him?

Another war had returned his vater to the ground. He would join him soon.

Mutter was an empty shell. Hardened by adversity and loss. She would determine not to miss him.

He gamboled with Gretl in a green valley beneath a multicolored kite.

They shed their clothes in a sun-dappled glade. Explored their bodies. She smiled comely.

He opened his eyes.

The duckboards were gone. As was the mud. Concealed beneath a multicolored carpet to a shimmering blue horizon.

Enveloped in a golden haze above a landscape of golden wheat. Larks rose and fell in a clear blue sky. Singing to each other beneath a golden sun.

“Sah ein knab ein Roselein stehn” rose from the lips of men and woman reaping a golden harvest.

The soldier knew at last where he was. Where he belonged. His final resting place.

He would always be there. Beneath those fertile fields.

The mud swallowed his smile.

Drew him down into its eternal embrace.

  “Röslein auf der Heide” (“Rose on the Heath”) is a line from the chorus to the German folksong “Sah ein knab ein Roselein stehn” (“Saw a boy a little rose”) based on the text of a famous poem by Johann Wolfgang von Goethe, written 1771.

AUTUMN LEAVES by Cynthia Smith

AUTUMN LEAVES

She had always loved this time of year, Autumn. From her window, she enjoyed the changing panorama of the trees as they turned gold, russet and red. They reminded her of other Autumns, long ago; collecting chestnuts with her father; marvelling at The Fall colours in New England, on holiday with her husband.
The next day there were fewer leaves on the trees, more on the ground. She recalled running through fallen leaves as a child and the unique, crunchy sound they made. She wished she had someone to share the colours and run through the leaves with now. But she was alone, and housebound.
The woman continued sitting looking out of the window, as she did much of the day. She liked to watch the birds as they hurried about their business, and if a cat appeared her heart was in her mouth in case it caught one. She loved the squirrels, sitting up eating nuts or chasing each other. They always brought a little smile to her face.
Leaves Falling on the fossIt had been a windy night and next day there were not many leaves left on the trees, just a few stubborn ones clinging to the lower branches. The weather was turning cold and her pain felt worse. The autumnal colours were gradually fading to greys and browns. But the woman remains in her chair in front of the window. She does not move. She will never move again. Pale golden light slants through the trees as the sun sinks slowly towards the horizon, a crimson orb heralding the end of daylight. Soon the naked trees are silhouetted against the darkening sky.
The woman in the chair will not see Spring; but she is no longer suffering. She has moved into that soft, dreamless sleep that lasts for ever.
Autumn leaves. And Winter takes its place.
Cynthia Smith   31. 3. 15

(Photo – Falling Leaves on the Foss – Littlebeck, Whitby by Kevin Murphy.)

 
 

This Loss by Michael Healy

This Loss

How can you say what has been, when you do not know,
How can you tell how it feels, when it does not show,
How can you say how it is, when you know not the cost,
How can you think you understand, when you have not this loss.
 
Let only those who really know speak of what has gone,
Yet they may also hide behind a simple phrase, ‘life must go on’.
The jagged stabs that knot inside, the hidden inner rage,
The tears that well, the pain that swells; such a young age.
 
Do not tell me you understand or that you really know,
Do not tell me how it feels, when it does not show,
Do not say how it is, when you know not the cost,
Please God you never understand the feeling of this loss.
 Michael Healy

Still by Tony Burrows

Still by Tony Burrows

Nobody in particular is present here,

Here in the old churchyard,

Though they all come to rest,and lay beside,

The weary and the unaware, the late,

The dearly departed,

Faithful servant abide,

And those who just fell asleep,

For others to weep, and stand aside,

Uncomfortable in unmetered mumbling,

Mourning uncommon prayer,

With so so many bleak wreath words unsaid,

And wipe away tissue tears, to be left,

On the soon to be lost, and never found,

Still forgotten graves of the dead,

Seeking salvation with upturned palms,

Blanket blind, woolly flock,

Grazing by their shepherd not,

Crosses and prayers and twenty third psalm,

Stand shoulder to shoulder,

In the still and calm,

Of the church clock marking tick by tick time,

Time past over to trees that reach and etch four seasons,

And in its quarters beats the stone ’til,

Truth is gathered as dust, and time is no more,

Only still,

Still, there is no time for the dead,

For tomorrows tomorrow are on the march,

In warm September sun dried sun,

As bright as a star new,

New grow into uniforms with polished pop out faces,

Full of gilded parental promise, eager eyed, wide,

Wide as the green gates they must pass by,

Whilst in the still, leaves hold their fall, and

A young swallow hesitates before turning to fly,

Confounded, disappointed Mary rises and spirits away,

And something strangely empty now,

Now, nobody in particular, is in the old churchyard, bar I.